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Album Review: “P R E S S U R E” by Rochelle Jordan

September 17, 2012 Leave a comment

Released independently as a free download in 2011, Toronto songstress Rochelle Jordan released her debut EP, R O J O – an adventurous, multi-layered joyride showcasing promise and an equal footing in the R&B of the 90s and the future. She makes a clear step forward with her second EP, P R E S S U R E, released digitally in August 2012.

As implied by the title, P R E S S U R E underscores conflict and tension, specifically in romantic relationships. Written entirely by Jordan and intricately produced by PROTOSTAR producer KLSH, the record closes in on a specific vibe, both sonically and vocally. Her influences are obvious – the fluttery coos of Aaliyah and the slick vocal layering of Amerie’s heyday, among others. Yet, Jordan manages to fuse them into a singular style and sound that is uniquely hers throughout the record’s twelve tracks. Meanwhile, KLSH’s minimalist and atmospheric productions are approached completely with swirling synths, pulsing bass lines and menacing, snare-driven drums. This provides ample room for Jordan to explore textures and rhythmic patterns of her detailed and impassioned lyrics.

The first e-single, “Losing”, is a downbeat lament to the sacrifices made in the name of a strained relationship. Equally alluring as it is chilling, it is a tender and deeply intimate moment that very few unsigned artists are willing to display in their early musical offerings. Elsewhere, Jordan aims to please her lover on the frenetic up-tempo title track, reminisces on a past love on “Could’ve Been” and is haunted by that same former love in a new setting on “Somebody”. Elsewhere, her frustrations with insecure and dismissive men are laid out with serious bite and sass on “You Ain’t My Man” and “Too Long”. However, it is on the spare “Shotgun” where Jordan wallows in the beautiful anguish of the end of a relationship, brilliantly winding up with what is the record’s best vocal performance.

Hailing from Toronto, home of fellow artists like Drake and The Weeknd, Rochelle Jordan is a welcome addition to those following independent R&B music and is sure to delight fans with her distinct sound.

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Album Review: “My Life II…The Journey Continues (Act 1)” by Mary J. Blige

It’s a daunting task that musicians face as they age in the music industry: how to maintain relevancy without deviating too far away from their winning musical formula. Mary J. Blige, now 40, has cemented her legacy as one of the finest and revered vocalists in contemporary R&B, assuring her position as the Queen of Hip-Hop Soul with her 1994 opus, My Life. That album, rife with wrenchingly emotional cuts like “Be Happy”, “You Gotta Believe”, “I’m The Only Woman”, has remained a favorite among her legion of fans, justifiably ranking as one of Blige’s best musical works. That record documented the essence of a young female in the midst of deep romantic longing, a struggle for comfort and a journey toward spiritual growth – a foundation she would expound on her subsequent albums. Its sequel, My Life II…The Journey Continues (Act 1), released on November 21, 2011 on Geffen/Matriarch is a perfection of the vintage sound one comes to expect from Blige. With production supplied by Rico Love, Danja, Rodney ‘Darkchild’ Jerkins and Jerry Wonda, among others, the record is split into two parts – bass heavy hip-hop and shimmering R&B ballads – both of which have become Blige’s signature.

After a brief intro featuring her former mentor Diddy, Blige quickly glides into “Feel Inside” and “Midnight Drive”, featuring the reprise of her rapper alter-ego, Brook-Lynn. Blige sounds assured, upbeat and most importantly, optimistic, even as she injects her classic style upon the tension and excitement in the lyrics to the respective tracks. “25/8”, weaved wonderfully around a Gamble & Huff sample, finds the siren exuberant, spirited and brimming with the confidence that new love can bring. The same buoyancy can be found on the Chaka Khan cover, “Ain’t Nobody”, a pulsing and synth-driven workout that will likely find great success in dance clubs and European markets.

Many R&B albums of late have featured guest appearances from other artists, resulting in a mixed bag of collaborations. Predictably, My Life II… continues that trend. While Nas adds his clever edge to the aforementioned “Feel Inside”, a Drake verse comes off as a forgettable and phoned-in addition to the album’s second single, “Mr. Wrong”. One of the strongest collaborations, however, is the heartfelt “Love a Woman”, where Beyoncé joins Mary to list instructions for male suitors to properly romance and treat their ladies on a track that wouldn’t sound out of place on a 90’s throwback playlist.

As the album is a collection of nostalgic moments with many of its roots stemming from the 90s, Blige reaches deep to produce some of her most impressive ballads she has fronted in years. “Empty Prayers” is a devastating slow number, regretting her hopeful naiveté for believing in an uncaring lover. “Need Someone”, resembling that of an understated country ballad with its hushed acoustics, is a hug to the younger and troubled Blige from 1994, examining the recurring theme in her string of dysfunctional relationships.

My Life II…The Journey Continues (Act 1) stretches Mary J. Blige artistically the way her last few albums promised and failed. Blige has made peace with her yesterdays and applied her learned lessons to good use.